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>> Gaberscik. The first essay on the drama and representations of Gaber and Gaber



THEATRE Giorgio Gaber:
text, representation, model

of Massimo Puliani
Valeria Buss
Alessandro Forlani

ed. HACC
With DVD of "Waiting for Godot"
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Gaberscik, Teatro di Giorgio Gaber : text, representation, model is an investigation into the drama of Gaber / Luporini, the "Teatro Song "and" Theater of Evocation. " The book offers a critical stage of writing on Gaber and a survey on the interpretations that occurred after the death of the author / actor / singer.

In the first part we examine the historical dramas and composition de The case of Alexander and Mary (1982); Mariù Parlami d'amore (1986); Gray (1988): The god child (1993) and of starvation that time there I was twenty-five (2000). It also investigates the relationship of Giorgio Gaber with the work of Samuel Beckett, which led to enactment in 1990 of directed and starred in Waiting for Godot, as well as by the same Gaber, by Roger Whittaker, Paolo Rossi and Happy Andreasi.

In the second part of the book, which collects contributions from his directors, actors, theater critics, we face the problem of representing today "without Gaber Gaber: reflections on the evidence of actor Marcoré Blacks, Eugenio Allegri Giulio Casale, Claudio Bisio, Fausto Russo Alesi, Luca Barbareschi and royal Giorgio Gallione and Serena Sinigaglia.

The DVD offers a tribute to Massimo Puliani Gaber Beckett, a reconstruction of digital images (Enrica Scalfari), music (Stephen Vagnini) and characters (taken from the first note of the original text) of dell'allestimento Waiting for Godot by Samuel Beckett, was staged in Venice in 1990. In addition, the DVD offers a performance by Paolo Rossi in the context of participation in the Festival Gaber of Viareggio in 2007, where he played The strange family.

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INDEX OF VOLUME

Presentation

Paolo Dal Bon

1. THEATRE Giorgio Gaber

path between music and drama theater

Massimo Puliani

When he speaks Gaber

Massimo Puliani

narrative structure of the Theatre Summon

Alessandro Forlani

Brechtian model in Giorgio Gaber

Massimo Puliani

The move to theaters

Valeria Buss

Works of Theatre Summon

Valeria Buss

style and form of the theaters

Valeria Buss

The Lyric Theatre at the origin of theaters

Valeria Buss

that time there I was twenty-five : first approach to ' analysis of a novel

Alessandro Forlani

barbarians are coming: Ethos in the rhetoric and persuasion in texts Gaber-Luporini

Valentino Bellucci

The mechanism

tiring of the scene melts : The texts Gaber-Luporini

Franca Mancinelli

2. E 'CAN NOT REPRESENT GABER GABER?

This time there ... Claudio Bisio

Massimo Puliani

The Grey without Gaber, Fausto Russo Alesi

Alessandro Forlani

We arrived at Gaber

Giorgio Gallione

Marcorè Blacks, Giulio Casale, Eugenio Allegri test

Alessandro Forlani

3. MEETING WITH BECKETT

Gaber Beckett plays, "Godot in tennis shoes"

Massimo Puliani

Teatrografia

Bibliography

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without>> PREMIUM GABER the university thesis

Texts and Keys " The cultural event most important summer Fano, organized by the Center Theatre Multimedia Brands and directed by Massimo Puliani Alessandro Forlani, in collaboration with the Department of Culture, presented Wednesday at 5 bastion Sangallo a day dedicated to Giorgio Gaber with the work of Beckett.

After the inauguration of the photographic exhibition, was given a digital reconstruction of "Waiting for Godot", staged in Venice in 1990 by the group Gaber / Whittaker / Andreas / Paolo Rossi (only documentation visual remained with the creation of multimedia Massimo Puliani with photos of Enrique Scalfari) and was awarded the Award for Gaber university thesis, the student from Stuttgart Valeria Buss, for his essays on the Invocation of Theatre Gaber / Luporini.

The culture Franco Mancinelli, brought the greetings of the city, the Mayor Stefano Aguzzi, while the president of the Foundation GABER Milan Paolo Dal Bon, who with her daughter of the great songwriter Dalia Gaberscik carries on the artistic legacy of Mr. G. several times in the scene since the seventies in Fano, a Buss gave the book "Gaberscik.

The day ended with the acclaimed concert of Maestro Stephen Vagnini with singer Giorgia Ragni. It 'was a musical proposal that confirms much original creativity Vagnini and her interpretation of the spiders was compared with the texts of Gaber